As I’ve often said, if you want to write stuff but you’re too drunk, or hung-over, or you don’t have any ideas, write about whatever it is that’s keeping you from writing. Today, for me, as I will explain shortly, that would be history.

History. It's like belly button lint. It happens when you aren't looking. One day you find a bush baby nesting in your tummy dock. You had previously forgot you had a tummy dock. Next, a strange glib man you've never met before is an expert on your belly button lint and he's teaching a course on it at the U. You audit his course without notifying the bursar and find out your lint was originally funded by the CIA as part of Operation BAJAX, aimed at world dominance, one belly at a time. Knowing this, or thinking you know it, never seems to make any difference to your life.

And yet, history, whether it's true or not, does affect you even when you can't use it to your own purposes. That's because history is about more than the truth of what really happened. It's about myth. Myth is a living agent. You don't use it; it uses you.

Myth comes from an ancient Greek word meaning “story telling,” but connoting “horse hockey.” Poets, like Homer, often tell historic myth. Seattle poet and editorial committee colleague Stan “Rail-rider” Burriss frequently illustrates his points at the committee table by reciting a history of Real Change. “It's like a dozen years ago when Tim Harris rode the rails into town with nothing but the shoes on his back, a song in his pocket, a computer strapped to his head, and 10 hungry kids tied to his toes. But Tim had a vision. Writing on the backs of unpaid bills in a cold wet cellar, and using his computer in some magical way none of us will ever understand, he pasted together the first Real Change, which he sold out of a friend's garage in downtown Seattle.” These tales usually introduce a motion to use the word “human” in a sentence. They also provide Stan with an opportunity to say “speaks to all of us,” again.

Pretty soon, though, people catch on to what the poets are up to, and they start to employ all the poets at writing satires and sit-coms, precisely to keep them from telling histories, because they only make crap up. People begin listening to the survivors of the history rather than the rhymers of it. Since the survivors are usually identical to the winners, this accounts for the saying, “History is told by the winners.” The correct saying should be, “History is told by the still breathing.”

Even though the survivors tell a truer story than the poets, the resulting history is still myth. Contrary to popular myth, myth is not less myth because it's true. In fact the most powerful myths are the ones that are unassailable fact. In the phrase, “Tell it like it is,” the truth part is the “like it is” part of the phrase. The myth part is the beginning, the “tell it” part. The “tell it” part is an essential component.

“So, Wes, What are you trying to tell us?” I'm trying to tell you I didn't accumulate the usual pile of news stories to comment on this morning because I spent all last night jerking around with the Real Change History page (a work in progress begun by Tim Harris at realchange.wikispaces.com/History) on the new Real Change Wiki. There was a lot of stuff in there that spoke to me, stuff wrapped up with Real Change like homelessness in Seattle, homeless activists, and advocates. I was moved to speak back, because it was the human thing to do.

That's how it is with myth. It draws you into itself. As always, Stan is right, on the other side of my morning coffee.