| The
Trouble with Men and Women (2003)
Directed by Tony Fisher
Love and its attendant anguish have been the meat and
potatoes of storytelling since there were stories to tell.
Durable and malleable, it underpins or augments films
across genre and topic. Contemporary courtship, fanciful
reverie, and a generous helping of carnality among uncommonly
handsome people is what we indulge ourselves in and export
abroad. There’s little wonder that people want to
immigrate.
The Trouble with Men and Women brings as
little pretense as its title. The characters are so
pedestrian one might wonder if the extras had stumbled
in front of the camera. This is about you and me, bumbling
through those frequented but uncharted waters in search
of a mate.
When Matt’s (Joseph McFadden) longtime girlfriend
decides to call it quits, he finds himself in a situation
quite unfathomable: the dating scene. The problem is that
he is not looking for sex, but love. The fact that this
affable bloke accepts his humiliations with a measure
of equanimity does not make them any less painful.
Set in working-class England, The Trouble with
Men and Women is well written and acted. The characters
are without the standard American middle-class gratifications
and distractions, from iPods to personal means of transport.
Relationships are central to their lives — a fact
that comes across clearly, making this unadorned script
a very pleasurable experience.
Dreaming Lhasa (2005)
Directed by Ritu Sarin and Tenzing Sonam
Dreaming Lhasa is an attempt by documentarians Ritu Sarin
and Tenzing Sonam to spotlight the tragedy in Tibet, through
a fictional narrative. Message movies are nothing unusual
in the post-9/11 world, but even when done by the most
skilled and experienced they require a deft balancing
act between social commentary and the requisites of drama.
In Dreaming Lhasa, an Americanized Tibetan
refugee has left her husband and children back in the
states to make a documentary, interviewing Tibetans
who have escaped their homeland with tales of severe
torture under Chinese rule. In the course of her work,
she aids a refugee who has a special mission infused
with a touch of mystery and danger. With a bit of sexual
tension thrown in for good measure, it makes for a somewhat
compelling, but nonetheless wanting narrative. But that’s
beside the point, which is to find some palpable way
to remind the world about an ongoing crisis.
Dreaming Lhasa also plays at the Northwest Film
Forum May 4-May 10. |