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Norah Vincent learned what it means to be a man because
of a dare. A friend of hers, a drag king, goaded Vincent
to dress up as a man. No shy soul, Vincent accepted
the challenge. The evening became one of pure enlightenment.
Suddenly, the subtle, yet rigidly imposed world of male-male
communication — the refusal to lock eyes, to show
disrespect — opened before her. That experience
lay within her, a dormant seed.
Germination took place seven years later, when Vincent
began to wonder how she would experience the world if
she were a man: not a transsexual, as her interest was
anthropological, not biological, but a person who would
be perceived and treated like a male wherever he went.
So Vincent, a freelance journalist and former writer for
the Village Voice and Salon.com, swaddled herself in men’s
attire and demeanor, to get a sense of how the other half
lives, thinks, and plays. Over the course of 18 months,
she dressed up as her male alter ego, Ned, hundreds of
times, joining an all-male bowling league, going to strip
clubs, even sequestering herself in a seminary. What she
saw and experienced changed the way she viewed men and
women and the chasm of misunderstanding that often resides
betwixt the two.
She chronicled these events in Self-Made Man: One Woman’s
Journey into Manhood and Back, (Penguin, $15), a rollicking
good read that takes nearly every stereotype you can think
of about gender and steamrolls it flat. On tour to promote
the paperback, Vincent sat down for a little chat. Fresh
from the gym, her glowing face shape-shifting between
masculine and feminine beauty every few minutes, she spoke
freely about raunchy strip clubs, the date that went too
far, and her newfound empathy for the heterosexual male.
What was it like to first see women dressed up as men?
Well, it’s funny. I always thought they weren’t
very authentic looking. I always think men do it better.
The drag queens, you know, they’re much more authentic,
especially performers. The first time I did it, I was
interested in perfecting the technique or getting it so
that you could actually pass in the daylight. I didn’t
know that it would then blossom into this project years
later.
But I think it was being in the everyday world and realizing
that there are always signals we have about gender —
how we’re supposed to behave and what the rules
are — that we’ve all internalized, that I
thought, “Wow, [dressing as a man] is like changing
the channel on the T.V. Suddenly, all the signals are
different, all the expectations are different. It struck
me if I did it for a much longer period of time, I could
really pursue that, to find out more. I thought of it
sort of as an anthropology project, whereas most people
that do it, I think they think of it as self-expression.
So you have a make-up artist help you create stubble.
You deepen your voice. You work out. Then you put on your
outfit. Now, they say clothes make the man, but there’s
gotta be more than clothes that do it. So what was it
about yourself that allowed you to portray a man in such
a way that people perceived you as a man?
To begin with, I’m a masculine woman. I’m
a dyke. I have an advantage in all those respects —
being tall, big feet, low-ish voice. But the real answer
is that I think so much of it is psychological. People
believe what you’re selling to them if you sell
it convincingly enough and, certainly, I began to buy
it, too, which is part of what happened over the course
of the experiment. It invaded my psyche.
It’s like I took this slice of pie out of my brain
and said, “OK, this is the gender piece.”
And I pulled it out and put in this new one that’s
Ned, and then reprogrammed the whole system. I thought
I could do it with impunity, that nothing would happen.
I found out that’s not the case, that gender identity
isn’t just a question of what you wear, but what
you wear as a reflection of who you are very deep inside.
I really think it’s so deeply embedded in who we
are, that when you mess around with that, you mess around
with your sense of self. That’s why I had breakdowns,
because I didn’t realize that other parts of the
mechanism really were being thrown off.
When you were a young girl, did you ever have this idea
that there was something like a gender continuum?
Absolutely. I always felt like an alien. I knew I wasn’t
a boy and I didn’t want to be a boy— I mean,
I did in the sense that their interests were closer to
mine and I felt a certain affinity in that way, but I
never felt what transsexuals report feeling, that I was
in the wrong body. But I was always an outsider and I
think that’s why gender identity became a big piece
of my life. I was really fascinated by, “What does
it mean to be an insider?”
Are there benefits to being the outsider?
Mmm-hmm. Growing up overseas, it’s a very similar
thing: You are never part of the in-group, but you are
also never part of the place that you left. As painful
as that is, it lends you a certain insight into what it
means to be a part of the group because you’re looking
from the outside in and you see the signals. For me, on
my first night out in drag, how men made eye contact or
didn’t was really fascinating to me. I thought,
“God, this is just something I don’t even
think about as a woman.”
So you’re Ned. You go to strip clubs. Had you ever
been to a strip club before?
I’ve seen a few pole dancers in lesbian bars, but
nothing like this, and I went to some pretty raunchy places.
But one of the reasons I chose to go was partly because
almost every guy — straight guy — they said,
“Well, it’s a rite of passage to go.”
Part of what I wanted to do was use my disguise as a way
to be a fly on the wall. I really did want to learn about
male sexuality, because if you think about gender, not
enough has been discussed about male sexuality and the
fact that women are always talking about how men don’t
understand female sexuality. But women do not fucking
understand male sexuality, and they don’t even think
they need to. I feel like it’s important to start
jumpstarting that part of the conversation.
Of course, the reception I’m getting about that
is a lot of women who feel, “Why should I care?”
The other night at a reading, somebody said, “Well,
I feel like you gave my husband a Get-out-of-Jail-Free
card.” But I feel like, “Why are you so invested
in having your husband in jail?” It reminded me
in some ways of being gay: Men are born with a biological
drive that women don’t have, don’t understand,
so we make up all kinds of jokes, but we are also sort
of angry about it. It’s the same sort of thing with
gay people. It’s , “Why can’t you just
change who you are?”
Why do you think, if you’re a woman, you would have
disdain for male sexuality?
Partly because we don’t share the hormonal drive.
Sex is fairly elective for us, so we just don’t
understand what it means to have that experience —
especially at puberty, but then thereafter — of
that very strong drive. We tend to think that we’re
just sort of evolutionarily superior. I also think the
feminist movement is deeply fed the idea that we’re
the ones who have the complaint. That was something I
went into in some ways thinking, too. But this book definitely
disabuses the notion that guys have it better in every
way.
How do you think men perceive women?
With an incredible reverence that I don’t think
women quite understand. For a lot of heterosexual men,
being desired by women is a rite 0 of passage: It’s
part of what makes you a man. There’s a lot of rejection
that goes into the whole system of [the man being] the
person who has to go up and importune the woman: You’re
the brightly colored bird doing the dance, and they kind
of decide are you good enough. There’s a lot of
anger that goes into that. So you put that sort of anger
together with sort of a deep, intense sex drive, and a
sense of really wanting women’s approval, and you
get kind of a combustible mix.
Often, when I was in private with men, there would be
what you would expect: that certain misogynistic locker-room
talk. But what I interpreted was that they’re not
allowed to express weakness, especially around male buddies,
[even though] rejection is part and parcel of your life
with women. You put those things together, and the only
thing you’re allowed to do is say, “Oh, she
was worth a blowjob,” because you can’t say,
“Gee, that rejection really hurt.”
How was it to be so close to female strippers who were
revealing the most intimate, physical parts of themselves
to you?
I’m attracted to women, so, theoretically, I should
have enjoyed it as much as men. But what you see in those
kinds of places is that they are custom designed for male
sexuality. For me, it was a deeply alienating experience
to have even a woman I might have found physically attractive
in other circumstances gyrating on me in this very depersonalized
kind of way. The women really do treat you as though you’re
less than human: You really are just a wallet and a barbarian
in their eyes, and they’re just going to get you
off as fast as possible.
You also dated women as Ned. How was that for your partner,
to have you go out as this man, with one date resulting
in a sexual act with another woman?
That was something that neither of us had expected going
in. We knew I’d be going on dates, but they weren’t
going to be serious dates. And I had a three-date limit.
But, yeah, there’s one particular case that went
past the bounds of what [both my partner and I] had been
expecting. It’s difficult, there’s no question
about it, but we got through it. What can I say? Mea culpa.
I kind of overstepped the journalistic bounds, so. . .
But in that moment, the other woman had the perception
that you were a man, and then you admitted you were a
female, and yet she still went through with it. Was that
surprising?
Now it wouldn’t be. I didn’t put it in the
book, but I did go on three dates with a gay man as a
gay man. When I told him at the end of the time [I was
a woman], he wasn’t angry, but he said, right away,
“Well, I don’t have any interest because you
just don’t have the equipment.” I do think
that male sexuality is much more categorical in that way,
but I think that female sexuality is much more fluid,
and I do think it is much less about the plumbing than
it is about the spiritual, emotional, intellectual surroundings
of the act itself. Maybe I’m wrong about that, but
I don’t know very many gay men who have gone to
bed with straight men. Part of that is because homophobia
is so much stronger among men than among women. I was
just astounded by how much homophobia there was against
me as an effeminate male.
In the book, you have so much empathy for the males you
meet. Were you surprised by that?
Yeah. When I was just out of college, sort of cementing
my lesbian personality, I had a lot of anger towards
men. And I had all sorts of feminist ideas in my mind,
that there are reasons to dislike men. Part of what
this book, for me, was a way of saying, “Okay,
we’ve had that conversation. Can we get to another
place now where we admit that we can’t just go
on saying that men are to blame for everything?”
We have to admit that in this so-called patriarchy,
there were two roles: male and female. And the male
role is really as much a straightjacket as the female.
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